Kamee was born into an Armenian family displaced from the SWANA (southwest asian, north african) region, and grew up in an immigrant suburb of Toronto. They arrive in the world today as a queer and feminist mother, interdisciplinary creative, scholar, writer, producer, and facilitator. They have a BFA/BA in film and political science (Concordia University), an MA in expressive art therapy (European Graduate Institute), and soon to be MA/PhD in community, liberation, indigenous and eco psychologies (Pacifica Graduate Institute). Their work is steeped with relational, generative, visionary and liberatory practices oriented towards ancestral reclamation, diasporic futurism, and radical imaginaries. They have published both literary and academic work, facilitated workshops, and exhibited and curated art, films and staged performances internationally. Kamee continues working freelance under Saboteur Productions (founder) and collaboratively through Kalik Arts (co-founder), and is the arts & creative expression lead at an international feminist organization called AWID.
FOR WORK INQUIRIES OR TO PURCHASE PRINTS & BOOKS —
CONTACT: lorikamee (at) gmail
I ACKNOWLEDGE THAT I PROFIT OFF STOLEN Huron-Wendat, Haudenosaunee, and Anishinabewaki ᐊᓂᔑᓈᐯᐗᑭ TERRITORY, living ADJACENT TO THE KANIEN’KEHA:KA COMMUNITY OF TYENDINAGA. I AM A VISITOR HERE.
PUBLISHED WORKS & CONFERENCES:
“5 QPOC Visionary Fiction Projects to Look Out for in the Not-So-Distant Future,” Autostraddle (March 2020)
“Resistance, rematriation, and diasporic futurity,” Panel talk at the Feminist Art Conference; OCAD (March 2020)
“Myrtle / A Mother’s Mind,” BTWN | The Between Journal (issue: 2019).
“Motherhood is Speculative (Non)Fiction,” in Reproduction and Parenting Beyond the Binary, Demeter Press, release TBA
“Excerpt from a Work-in-Progress: Motherhood is Speculative (Non)Fiction: A Rhizomatic Writing Experiment Examining Motherhood and Matrescence,” The Community Psychologist; Volume 52, Number 2, Spring 2019.
“Coffee No. 1” No, Dear Magazine (cover art), guest edited by Alina Gregorian (2018).
“Dear Armen” Q2Q: Queer Canadian Performance Texts, edited by Dickinson, Gatchalian, Oliver & Singh (2018).
“Herstories of Divine Love,” The Armenian Review; Volume 56, Number 1-2 (Spring–Summer 2018).
“Stitching Stories: a ceremony of cross-cultural psycho-narrative restoration,” Presented at the 16th Biennial Conference of the Society for Community Research and Action; University of Ottawa (June 2017).
“Development of Racial Justice Values for the Classroom,” Presented at the 16th Biennial Conference of the Society for Community Research and Action; University of Ottawa (June 2017).
“Kim Kardashian: The Dark Horse of Armenian Society,” Paper presented at After Genocide: From Trauma to Rebirth: A Gendered Perspective; Organized by Women in War (Paris) with the Institute of Archaeology and Ethnography in Yerevan (September 2016).
“Narratives and Sense of Community amongst Syrian-Armenian Newcomers in Toronto,” Paper presented at Global Histories of Refugees Conference; University of Melbourne (October 2016).
“when you left us in armenia / 2011,” BTWN | The Between Journal (issue: 2016).
“Dear Armen,” Ardziv Magazine, (issue: December 2014)
SELECTED REVIEWS & FEATURES:
Gayen, “Oksana Mirzoyan Retells And Makes A Work Of Art With ‘Susanna’” Indie Shorts Mag, 03/2019
Bell, “Vancouver Fringe Festival Reviews: 2017 Edition,” Room Magazine, 09/2017
Recinos, “Group of Female Artists Used Social Media to Take Charge in LA’s Male-Dominated Art Scene” LA Weekly, 02/17/2017
Schons, “The Platform Showcasing Queer Art From All Over The World,” Sleek Mag, 04/24/2017
Chakmakchi, “Dear Armen,” ReOrient Mag, 1/27/2016
Kleinfeld, “Acclaimed experimental play ‘Dear Armen’” The Daily Californian, 10/12/2015
Edevane, “Exploring Identity Through Armenian Tales,” East Bay Express, 10/7/2015
Janeksela, “Meet Armen Ohanian, A Multi-Layered Being,” Culture Designers, 9/11/2015
Winter-Hebert, “Alchemy of Waste hopes to promote upcycling with their stunning videos,” InHabitat, 3/9/2015
Atamian, “Before the Armenian Genocide,” Beacon Reader, 3/27/2014
Tumo Center for Creative Technologies, “Kamee Abrahamian’s Digital Art Workshop Takes Off,” Tumo, 5/5/2013
“NYC-bound Blood Ballet Cabaret debuts fleshy new burlesque show in hometown MTL,” Montreal Gazette, 1/3/2013
Canada Arts Council Touring Grant (2019) for “Ensouled” Festival & Community Screening Tour
Ontario Arts Council Multi & Inter Arts Project Grant (2019) for “Ensouled”
PEC Arts Council Market Development Grant (2019) for “Transmission” at the Vancouver Queer Film Festival
Canada Arts Council Visual Art Travel Grant (2019) for “Herstories of Divine Love” Installation in Armenia
Creative Armenia Spark Grant (2019) for the “Ensouled” Illuminated Chapbook
SPRUCETON ARTIST RESIDENCY (2019)
LAMMY FINALIST for LGBTQ Anthology (2019) for “Dear Armen” in Q2Q: Queer Canadian Performance Texts
AGBU Performing Arts Grant (2018) for Transmission Short Film
Armenian Art Foundation Project Grant (2018) for “Herstories of Divine Love” Solo Art Show
RACC Project Grant (2018) for Transmission Short Film
Society for Community Research & Action Mini Community Grant (2018) for DYADS
Playwrights Theatre & Vancouver Fringe Festival (2017) New Play Prize for Setting Bones
Canada Arts Council Film & Video Research/Creation Grant (2016) World of Q Film Series
BC Arts Council Theatre Project Grant (2016) for Setting Bones
BC Arts Council Touring Initiatives Grant (2016) for Dear Armen East Coast Tour
BC Arts Council Theatre Project Grant (2015) for Dear Armen Pacific Coast Tour
Canada Council Theatre Travel Grant (2015) to attend ReOrient Festival in San Francisco
Canada Council Visual Arts Project Grant (2015) for Dear Armen Performance-Installation